1,175 Royalty-Free Audio Tracks for "Modular Delay"

Just some experimenting around with my modular. . . . . I take a signal from an lfo and split. I invert one of the signals and mix them.

Variable speed on main trigger. 4-step shift register made with sample and hold modules. Looping envelopes with varying speed. The sample and hold shift register does not preserve pitch frequency very well.

Yep, 4-stage shift register made with s/h.

Excerpt from longer krell patch recording.

A drone made with a modular synth.

Modular beat with "sinus bass drum". . . Playing around as usual.

The selected track. . . Electronic it is. . .

I recorded one hour of machine composition. I did not listen to it. I did not open the file in audacity. I told my fb fiends to give me a number between 0 and 57. I got 42 (what else). This sound is minute 42 to 45 from my one hour recording. The rest is deleted. Gone.

My synth creates 24 tracks. No scale known to human. . . Track start are marked by a high-hat sound. Some are short!. 0:00 track 11:57 track 22:02 track 32:08 track 42:32 track 54:015:455:515:576:02 track 106:066:216:316:357:06 track 15 my favourite7:317:347:407:55 hmmm okay8:38 track 209:409:469:51 interesting11:53 track 24.

I made a tonal quantussy recording. The bass always plays a low c. The 5 tracks are selected from one 15 min long recording. The synth creates defined tracks with different character.

Using an cvlfo in a feedbackloop creating very "chaotic" cv!.

More sounds. More of my voice. . . "i am your friend".

Trying to find some nice sounds on my modular. Playing around. . . All modular. The bass drum is a filter "plopp".

Electronic loop for you.

Playing with the compressor function in audacity version 2. 1. 1.

A short loop extracted from a loooong jam with my modular. The sound is processed in audacity. Have fun!.

Music made to a graphic score.

My two neuron patch with cross feedback! here it is. I think!i will take a closer look tomorrow.

Starts with a generative drone. Noisy and nice. Then i start to wiggle. In some way the synth alway impresses you. Sorry for long sound.

A patch around the build of a complex wave form. Creating an interesting timbre is challenging and fun. I have not tried but i think this sound will loop well!.

It has a start and an ending. . . Feedback. If you like noise. . .

Some sort of poor mans quantussy x 3. Am-modulation delivers some nice sounds. Deep blurp. Beeps and nonsense. This is generative modular synth music. Machine composition. The machine is a small analog modular synth. Beep!.

Using 4ms smr. Have fun with it, make music, make sounds.

Using 4ms smr. Have fun with it, make music, make sounds.

I feed 2 lfo sqr-wavs to a vca. Now you can get 3 levels of cv.

Trying to restrict feedback. . .

On planet sdtrangi the music sounds about the same everywhere. This was recorded during a visit last year. It was recorded in the gyyyhnd cave.

Sample and hold fun :-).

Doepfer a-100 modular system recorded with a zoom h-5. Cut and transcoded with audacity.

A sound made usingalienxxx sound http://freesound. Org/people/alienxxx/sounds/343864/and my (gis_sweden) sound https://www. Freesound. Org/people/gis_sweden/sounds/344087/.

Sold a module. Now there is room fort dirt again. The name is well-deserved. Dirt is a filter module from synthrotek. It's so strange that i wonder if the person who built it got it right. . . It's a kit. But i bought the module second hand.

A sound i made with my modular synthwhat is it. . . ?.

The sound is going through zoom ms-70cdr. I use the "particer" reverb program. It acts like a compressor and limiter too. . . Kills the dynamics of the modular. Nice anyway - or not. . . And i use the ladik r-330 reverb too.

It becomes clear when i record with audacity and can actually see the attack and decay. I’m playing with alm pip slope. With this module you can cv control the attack and decay. As oscillator i use intellijel μvcf in self-oscillation mode. I fm-modulate this filter/oscillator with a tone from uoki-toki polivoks vcf. The semi random trigger is really two triggers connected to an or gate. Pitch is from analogue systems rs-40 (sample/hold and noise). I can listen to this for a looong time. Retro sound.

A third version of https://www. Freesound. Org/people/gis_sweden/sounds/352940/. Now i let the alm pip slope affect a filter. I play a little sequence made with cvlfo , clock divider, attenuverter, quantiziser. The way i usually do…. But the interesting thing is the cvad (?) voltage controllable envelope generator. But in the case of alm pip slope you just control attack and decay. Seems to be enough. As in the other versions of this sound i connect one lfo to attack and a second lfo to decay. But this time i connect the vcad to control the frequency of a filter. Interesting. I wish i had two more cvlfos… should open up for rhythmical usage. I use no vca or adsr. I have connected the vco straight to the vcf and the vcf to mixer. In the beginning i have the frequency pot at 2 a clock then i gradually move it clock wise and let the vcad take control. 1 minute in the pot is fully clock wise. The vco is playing a sawtooth wave. If you dl and inspect the wave you can see that in the beginning and the end it is a sawtooth wave, but in the middle part the filter affects the wave form.

Cross fm modulated filters performing a painful dance on your eardrums. This is noise but with a musical and rhythmic trace. I keep coming back to my vcfs…?.

Thought i wanted to explore fm-modulation a bit further. The sound is going through my ladik reverb. The vco i'm fm-modulate is the intellijel μvcf. A filter really. . . No editing in audacity. This is the result. Sorry for long sound. . .

Algorithmic modular music program (man2_2019). The computer is my analog modular synth. 01 to 08 are clock sequencer steps. 00 rem -------------- man2_2019 --------------00 rem vco_1 sin through wave folder00 rem vco_2 tri00 rem vco_3 sqr through vcf00 rem (vco_1, vco_2, vco_3) tuned to 130 hz00 rem rnd pitch cv from attenuated tri lfo00 rem rnd cv from tri lfo00 rem main clock (lfo_1) start frq 10 hz00 rem reset is tricky, trg -> short env -> reset00 rem (noise) is noise through a lfo sweeped vcf00 rem ---------------------------------------01 rnd -> vca cv in (vco_1)02 if (lfo_2 = high) then goto 01 [= reset]03 rnd frq lfo_1 (run speed)04 rnd fm mod (vco_1) with audio from (vco_2)05 rnd -> vca cv in (vco_1, vco_2, vco_3): invert cv -> vca cv in (noise)06 trg long env (vco_2): rnd pitch @ eoc (vco_2)07 trg long env (vco_3): rnd pitch @ eoc (vco_3)08 rnd -> wave folder (vco_1): rnd -> vcf (vco_3)10 goto 01.

Same patch as in electronic minute no 226 and 227 but on my real modular. I'm using a filter. Thats why i call this version subtractive. I'm subtracting harmonics from a square wave. Why are 226 blue? probably because i did it at work. . . Listening in bad earbuds. Makes you rise the bass. Lets see if i can make this wave ble at the end! i will slowly fade out the vco with high pitch. At the very end i'm switching the synth off.

Same patch as in electronic minute no 226 but on my real modular. I'm using a wave folder. Thats why i call this version additive. I'm adding timbre to a sinus wave. I will do an subtractive version next.

Doing something with my own sample mixhttps://freesound. Org/people/gis_sweden/sounds/465325/.

8 seconds from this soundhttps://freesound. Org/people/gis_sweden/sounds/483638/mixed with thishttps://freesound. Org/people/gis_sweden/sounds/415237/and you get some thing else.

Okay i have to find the cycles. The start of a cycle is where the oscillator play in (about) unison. One cycle begins at 1:22. 82. Does it end at 1:57. 35?i might create a track called "selfie in three cycles". . .

Yeah #300.

This time i use a drum module for kick/bass drum the barton musical circuits analog drum. The high-hat is made 'the modular way', from scratch.

A sequence created without a sequencer. Made on an analog modular synth.

Again polyrhythmic. . . But slow. Exploring with ring modulation.

Exploring with ring modulation.

Polyrhythmic adventure with a bassdrum. Exploring with ring modulation.

Strange loop made on modular synth. Unedited.